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Based on Thomas Hardy's classic novel Tess of the D'Ubervilles, master filmmaker Michael Winterbottom's newest film stars Frieda Pinto who soars as Trishna in her most revealing performance yet. Trishna lives with her family in a village in Rajasthan, India's largest state. As the eldest daughter, she works in a nearby resort to help pay the bills. Jay (Riz Ahmed) is the wealthy son of a property developer. When he takes up managing a resort at his father's request, he meets Trishna at a dance and their fates cross. Jay finds every opportunity to win Trishna's affection and she accepts his efforts with shy curiosity. But when the two move to Mumbai and become a couple, Jay's deep family bond threaten the young lovers' bliss. -- (C) IFC
Release Date Trishna Jul 13, 2012 Limited
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Actors For Trishna

Freida Pinto,Rizwan Ahmed,Roshan Seth,Mita Vasisht,Harish Khanna,Riz Ahmed

Genres Trishna : Drama

Visitor Ranting & Critics For Trishna

User Ranting Trishna : 3.3
User Percentage For Trishna : %
User Count Like for Trishna : 4,475
All Critics Ranting For Trishna : 6.1
All Critics Count For Trishna : 86
All Critics Percentage For Trishna : 66 %

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Movie Overview For Trishna

Based on Thomas Hardy’s classic novel Tess of the D’Urbervilles, ‘Trishna’ tells the story of one woman whose life is destroyed by a combination of love and circumstances. Set in contemporary Rajasthan, Trishna (Freida Pinto) meets a wealthy young British businessman Jay Singh (Riz Ahmed) who has come to India to work in his father’s hotel business. After an accident destroys her father’s Jeep, Trishna goes to work for Jay, and they fall in love. But despite their feelings for each other, they cannot escape the conflicting pressures of a rural society which is changing rapidly through industrialisation, urbanisation and, above all, education. Trishna’s tragedy is that she is torn between the traditions of her family life and the dreams and ambitions that her education has given her.

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Trailer For Trishna

Review For Trishna

Trishna engages the potent collisions of the rural and the urban, the poor and the rich, and considers how these interactions unfold in a romance and how they might also destroy it.
Lisa Kennedy-Denver Post

While the film never delves deep enough into its characters' emotions to be truly spellbinding, it's well worth seeing.
Colin Covert-Minneapolis Star Tribune

Winterbottom has complete control of the film's look and feel, but the story seems to run away from him.
Tom Long-Detroit News

A rare unsatisfying swerve from an otherwise reliably provocative career.
Ann Hornaday-Washington Post

"Trishna" works largely on the strength of Winterbottom's clever updates of a century-old story.
Rafer Guzman-Newsday

A loose but nonetheless pretty faithful recasting of Hardy's penultimate tragedy, Tess of the d'Urbervilles.
James Adams-Globe and Mail

Unfocused and easily forgettable, this drama shows that even a likable actress can't carry a movie that undervalues its characters.
John Hanlon-Big Hollywood

Trishna is an admirable effort, but it's too detached and disinterested in the viewer to make an impact. This is a tough film to get through, and even if one makes it to the end, there's little reward to be found.
Jonathan Lack-We Got This Covered

An intriguing addition to the work of an erratic but always interesting filmmaker.
Frank Swietek-One Guy's Opinion

Hit the books instead.
Grae Drake-Movies.com

Things start off promising, but, by the time the final reel rolls, Winterbottom's too-detached style seems to be willfully wallowing in oversimplified misery.
Jeff Meyers-Metro Times (Detroit, MI)

Winterbottom's socially conscious, contemporary adaptation of Thomas Hardy's novel Tess of the d'Urbervilles is first-rate.
Kelly Vance-East Bay Express

Freida Pinto is a goddess among us, but this set-in-India version of Tess of the D'Ubervilles is just so-so.
Clint O'Connor-Cleveland Plain Dealer

...Winterbottom's most gorgeous film to date.
Chris Barsanti-PopMatters

Freida Pinto is so incredibly pretty in "Trishna." And so incredibly boring.
Chris Hewitt (St. Paul)-St. Paul Pioneer Press

It's an ambitious and evocative effort derailed in part by a passive lead performance that keeps the material at an emotional distance.
Todd Jorgenson-Cinemalogue.com

Pinto's piercingly expressive eyes tell the whole story--the excitement of not only first love but the new, and that innocent hope and romantic idealism slowly, inevitably bled dry.
Michael Dequina-TheMovieReport.com

Rather than a strong script, Winterbottom relies on a hyperactive camera, as if he were trying to recreate an updated dramatic classic by way of a music video.
Kimberly Gadette-Doddle

A nice inversion of the star-cross'd lovers trope.
Eugene Novikov-Film Blather

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