Legendary radio personality Bob Fass revolutionized late night FM radio by serving as a cultural hub for music, politics and audience participation for nearly 50 years. Long before today's innovations in social media, Fass utilized the airwaves for mobilization encouraging luminaries and ordinary listeners to talk openly and take the program in surprising directions. Radio Unnameable is a visual and aural collage that pulls from Bob Fass's immense archive of audio from his program, film, photographs, and video that has been sitting dormant until now. -- (C) Official SiteRelease Date Radio Unnameable Sep 18, 2012 Limited
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Actors For Radio Unnameable
Bob Fass,Paul Krassner,Wavy Gravy,Jerry Jeff Walker,Judy CollinsGenres Radio Unnameable : Documentary
Visitor Ranting & Critics For Radio Unnameable
User Ranting Radio Unnameable : 4User Percentage For Radio Unnameable : 64 %
User Count Like for Radio Unnameable : 230
All Critics Ranting For Radio Unnameable : 7.1
All Critics Count For Radio Unnameable : 12
All Critics Percentage For Radio Unnameable : 100 %
If You Like this movie you can streaming Radio Unnameable movie without downloading HERE
Movie Overview For Radio Unnameable
TagLine Radio Unnameable
Trailer For Radio Unnameable
Review For Radio Unnameable
You're overwhelmed by the feeling that you've seen this tale of corporate greed and arrogant mismanagement before. Still, the filmmakers tell it with gusto.John Hartl-Seattle Times
Directors Paul Lovelace and Jessica Wolfson weave together archival visual and aural materials along with new interviews with Fass, his wife, Lynnie, and other WBAI alumni.
V.A. Musetto-New York Post
A treasure trove of both visual and aural footage makes this terrific doc a keeper. Its affectionate appreciation of one man's long, strange trip through history make it a helluva lot of fun.
Joe Neumaier-New York Daily News
It can make you wish - or, if you're lucky, remember - that you were a sleepless New Yorker in 1967, kept from loneliness by a gentle, soulful voice on the radio.
A.O. Scott-New York Times
A sporadically hard-selling homage to a cult hero from an overchronicled era ...
Melissa Anderson-Village Voice
As haunting and heroic as anything you'll see on the big screen this year.
Matt Singer-Time Out New York
Radio Unnameable is at its best when it tries to find some visual analog to Fass' vibe, courtesy of cinematographer John Pirozzi, who takes beautiful snapshots of a sleepless city.
Scott Tobias-AV Club
...a great window into the days before cell phones and Twitter, when broadcast radio played a key role not only in delivering information to people, but also in giving them a voice and bringing them together.
Sarah Boslaugh-PopMatters
Beautifully sets up the feel and the times. . .with archival photographs and footage [but] distracts from. . .the intimate aural relationship between Fass and his audience.
Nora Lee Mandel-Film-Forward.com
A richly conceived archival tribute to the very miracle of Radio Unnameable's survival despite it all. And a troubling irony as peripherally depicted in this documentary, with Fass often in furious battle to prevail on air. A Tale Of Two Radio Stations
Prairie Miller-WBAI Radio
Gimlet-eyed view of a legendary pioneer of "free form" radio as well as a probing examination of the Balkanization of the left.
Louis Proyect-rec.arts.movies.reviews
While crediting free-form radio pioneer Bob Fass with changing the culture of broadcasting, this doc remains clear-eyed about the decline of community radio and the New Left.
Bill Weber-Slant Magazine
Movie Images Radio Unnameable
In 90 minutes, we see the GDR more sharply, more clearly: the skater subculture shows that not all was grey-on-grey and drab clouds of Trabant fumes. This Wildfremd production (Ronald Vietz & Michael Schöbel) by director Martin Persiel takes original clips of the "wheel-board-riders" - straight out of the East German scene in the 80s - and mixes it with animations and reencounters with the protagonists today. It is not just a well thought out story on its own - this film also raises the aesthetic bar. "Skating as freedom" is one of the leitmotifs of this film. Skating "without pressure to be better than someone else," as one of the main characters puts it, became the goal in hindsight, or, said downright harshly, "the desire for freedom turned lifestyle". Unbelievable, if not for the simple fact that this Californian fun could find its expression in the GDR. (c) Official Site
Abigail Brooks (Thomas) has spent her lifetime trying to win an Olympic rowing medal, sacrificing friendship, love, and a "normal life" along the way. When she is named an alternate on the Olympic team she quits in haste. Defeated, Abi moves back home with her widowed, workaholic mother (Margaret Colin). Tension builds as Abi's mother urges her to "move on" from the rowing life that Abi's father, a coach, introduced her to. Unable to do so, but needing an immediate job, Abi seizes an open crew coach position at her alma mater, Union High. There, the head of athletics is her old boyfriend, Geoff (James Van Der Beek). Abi trains her high school rowers in an obsessive fashion, taking two girls, Hannah (Alexandra Metz) and Susan (Meredith Apfelbaum), under her wing. After the girls lose an important regional race, Abi reinvents herself as a coach, and, in the process, learns to have fun again both on the water and off. -- (C) Official Site
Hit and Run is a comedy about a young couple (Kristen Bell and Dax Shepard) that risks it all when they leave their small town life and embark on a road trip that may lead them towards the opportunity of a lifetime. Their fast-paced road trip grows awkwardly complicated and hilarious when they are chased by a friend from the past (Bradley Cooper), a federal marshal (Tom Arnold) and a band of misfits. -- (C) Open Road R
First-time filmmaker Vince Offer crashes through the outer limits of bad taste in this wildly outrageous collection of comedy sketches. Adapted from material Offer first worked out on a public-access television series, The Underground Comedy Movie includes a gender-switch parody of The Godfather, a cross-dressing version of Dirty Harry, a "Batman" who attacks criminals with a Louisville Slugger, the misadventures of a gay virgin out on the town, a take-off on Randy Newman's song (and music video) "I Love L.A.", a beauty pageant featuring bag ladies as contestants, swimmers being attacked by sharks while a lifeguard ogles beautiful women, and plenty of stuff not too rude to describe in this context. The cast includes Michael Clarke Duncan (in a bit shot before his rise to fame), Gena Lee Nolin, Slash, and Joey Buttafuoco. ~ Mark Deming, Rovi
What happens to a group of travelers who are in an underground nightclub in Chile when a massive earthquake hits? Hint: Nothing good! R
