Academy Award nominee Daniel Barber (The Tonto Woman) makes his feature directorial debut with this gritty critique on contemporary British society starring Michael Caine as an elderly shut-in who's spurred to action by a senseless act of violence. Harry Brown (Caine) resides in a desolate public-housing apartment block as his sickly wife lies dying in a local hospital. He spends most of his days in solitude, only getting out to play the occasional game of chess at a nearby pub with his best friend, Leonard (David Bradley). The days of basic human decency seem to be a thing of the past, because in recent years barbarous drug dealers and gangsters have overtaken the dilapidated complex. Killing is a way of life for these young thugs, and as a result overburdened detectives Frampton (Emily Mortimer) and Hicock (Charlie Creed-Miles) are essentially relegated to knocking on doors and notifying parents when their children have been killed in the latest fracas, instead of investigating the crimes and jailing the guilty parties. When Leonard is murdered just feet from his own apartment, former Royal Marine Harry utilizes the skills he learned while fighting the IRA to take on the aggressive chavs who have intimidated the police into inaction. ~ Jason Buchanan, Rovi
Release Date Harry Brown Apr 30, 2010 Wide
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Actors For Harry Brown

Michael Caine,Emily Mortimer,Charlie Creed-Miles,Ben Drew,Liam Cunningham,David Bradley,Iain Glen,Sean Harris,Jack O'Connell,Jamie Downey,Lee Oakes,Joe Gilgun,Marva Alexander,Liz Daniels,Marvin Stewart-Campb...,Lauretta Gavin,Rad Kaim,Claire Hackett,Ashley McGuire,Raza Jaffrey

Genres Harry Brown : Drama,Art House & International,Mystery & Suspense

Visitor Ranting & Critics For Harry Brown

User Ranting Harry Brown : 3.7
User Percentage For Harry Brown : 74 %
User Count Like for Harry Brown : 41,764
All Critics Ranting For Harry Brown : 6
All Critics Count For Harry Brown : 120
All Critics Percentage For Harry Brown : 64 %

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Movie Overview For Harry Brown
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.

TagLine Harry Brown

Every man has a breaking point.
Trailer For Harry Brown

Review For Harry Brown

Caine, that master of gentle sadness, lets us know Harry immediately as a good man trying to get by -- and trying to understand what seems like madness.
Moira MacDonald-Seattle Times

After a long run of baroquely plotted crime dramas like Layer Cake and Lock, Stock and Two Smoking Barrels, it's a little depressing to come across a vigilante drama whose sole twist is its protagonist's advanced age.
Ty Burr-Boston Globe

It's simply the tale of a man who decides to do something and sticks to his guns, so to speak. That the man is played by Michael Caine is what makes it worthwhile.
Bill Goodykoontz-Arizona Republic

On one side, it's all compellingly believable; on the other, it's simply incredible. We do our best to straddle the rift but, in the end, the gulf proves too wide, the contrast too great, and a tumbling movie takes us down with it.
Rick Groen-Globe and Mail

The film ranks right up there with Sleuth, Get Carter and Mona Lisa as being amongst Caineâ(TM)s toughest and best performances.
Peter Howell-Toronto Star

In Gran Torino, Eastwood took on the moral issues that screenwriter Gary Young and first-time director Daniel Barber studiously avoid. It's the difference between riveting and repellent.
Peter Travers-Rolling Stone

By the end, it's turned from a geriatric Death Wish into a one-dimensional Taxi Driver...
Sean Axmaker-Seanax.com

"[Caine] elevates this grim vigilante-fest from pretty darn good to essential viewing."
Steve Newall-Flicks.co.nz

A lot to digest stylistically and narratively, but Harry Brown is developed in an ever-increasing, shock-inducing manner and is undeniably successful.
Perri Nemiroff-CinemaBlend.com

Although Caine lives up to expectations in this nicely crafted (though violent) film, the oversimplified story he's given to work with keeps it from the top of Caine's impressive filmography.
Alison Gang-San Diego Union-Tribune

Harry Brown is a more meditative take on garden variety exploitation, but its attraction lies in the same guilty pleasure centers of the brain that exult in a kind of movie violence that is the very opposite of senseless.
Ian Buckwalter-DCist

A very good film -- albeit very violent and bloody -- and contains yet another splendid Michael Caine performance. I'm not complaining too much based on those grounds alone.
Ken Hanke-Mountain Xpress (Asheville, NC)

Maybe Michael Caine just wanted to make his "death wish" before kickin' his "bucket list." Say what you wanna say, but I'd rather watch old-timers bust gums than tandem parachute with Morgan Freeman while John Mayer plays softly in the background.
Mike Ward-Richmond.com

In the hands of a lesser actor, this would feel just as clichéd as it sounds. But Caine brings his smarts as well as his baggage to the character, making him more than another mad-as-hell guy with a gun.
Chris Foran-Milwaukee Journal Sentinel

A revenge fantasy that recalls the Charles Bronson Death Wish series and Clint Eastwood's Gran Torino, Daniel ... would be unremarkable if not for the grave, lowered gaze of Michael Caine and the relentless grittiness of its cinematography.
Philip Martin-Arkansas Democrat-Gazette

Forget those boring, ludicrously overpriced, would-be summer blockbusters and go see the art of vigilante-movie-making done to a fare-thee-well. Caine's Harry makes bad-boy Russell Crowe's Robin Hood look like a sissy.
James Verniere-Boston Herald

This latest in the slumming mini-genre offers a couple of new wrinkles: Michael Caine and self-righteous, soul-satisfying vigilante justice.
Peter Keough-Boston Phoenix

Full disclosure: I'd happily rewatch even my neighbor's vacation video from Dollywood if Caine were in it. And here, brooding, world-weary and emphysemic, he is, of course, magnificent.
Matt Soergel-Florida Times-Union

What could have been a smart urban drama turns into a ludicrous revenge-thriller.
Jeff Vice-Deseret News, Salt Lake City

[A] poignantly observed portrait of the bitter loneliness of old age -- director Daniel Barber has a keen eye for making the isolation sneak up on you and sting...
MaryAnn Johanson-Flick Filosopher

The film is dark, beautifully half-lit and as controlled as it needs to be so Caine can work his way deeper into the character. His performance is astonishing: Harry is stooped, no longer physically strong, but he has immense reserves.
Paul Byrnes-Sydney Morning Herald

Stylishly filmed in a grimy palette of putrescent green and muddy brown, the movie seems at times almost to revel in the nastiness it depicts.
Philippa Hawker-The Age (Australia)

This is tabloid propaganda and an irresponsibly negative stereotype to attach to the youngest and poorest section of society.
Beth Wilson-Trespass