Disaster movie maven Roland Emmerich (Independence Day, The Day After Tomorrow) crafts this apocalyptic sci-fi thriller following the prophecy stated by the ancient Mayan calendar, which says that the world will come to an end on December 21, 2012. When a global cataclysm thrusts the world into chaos, divorced writer and father Jackson Curtis (John Cusack) joins the race to ensure that humankind is not completely wiped out. Chiwetel Ejiofor, Danny Glover, Amanda Peet, Thandie Newton, and Oliver Platt round out the cast of this end-of-the-world thriller co-scripted by the director and his 10,000 B.C. writer/composer, Harald Kloser. ~ Jason Buchanan, Rovi
Release Date 2012 Nov 13, 2009 Wide
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Actors For 2012

John Cusack,Amanda Peet,Chiwetel Ejiofor,Thandie Newton,Oliver Platt,Tom McCarthy,Woody Harrelson,Danny Glover,Liam James,Morgan Lily,Zlatko Buric,Beatrice Rosen,Alexandre Haussmann,Philippe Haussmann,Johann Urb,John Billingsley,Chin Han,Osric Chau,Chang Tseng,Lisa Lu

Genres 2012 : Drama,Action & Adventure,Mystery & Suspense,Science Fiction & Fantasy

Visitor Ranting & Critics For 2012

User Ranting 2012 : 3.5
User Percentage For 2012 : 63 %
User Count Like for 2012 : 395,729
All Critics Ranting For 2012 : 5
All Critics Count For 2012 : 236
All Critics Percentage For 2012 : 39 %

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Movie Overview For 2012
Dr. Adrian Helmsley, part of a worldwide geophysical team investigating the effect on the earth of radiation from unprecedented solar storms, learns that the earth's core is heating up. He warns U.S. President Thomas Wilson that the crust of the earth is becoming unstable and that without proper preparations for saving a fraction of the world's population, the entire race is doomed. Meanwhile, writer Jackson Curtis stumbles on the same information. While the world's leaders race to build "arks" to escape the impending cataclysm, Curtis struggles to find a way to save his family. Meanwhile, volcanic eruptions and earthquakes of unprecedented strength wreak havoc around the world.

TagLine 2012

We Were Warned.
Trailer For 2012

Review For 2012

Cusack, with his one-of-the-guys face and his nice way with child actors, does creditable work as an Average American Dad trying to put things right.
Lisa Schwarzbaum-Entertainment Weekly

2012 is the rare case of a bad film that I'm nevertheless obliged to recommend you see.
Laremy Legel-Film.com

2012 is reminiscent of yesteryear '80s shlock-tastic blockbusters -- total popcorn entertainment with ridiculous dialogue and impossible situations and special effects that will boggle the brain for a good two-plus hours.
Sara Vilkomerson-New York Observer

The worst sins of dialogue are visited upon the wonderfully soulful Chiwetel Ejiofor, who has to remind creepy government types that those massive high-tech arks are for all of us, not just the rich and powerful.
Joshua Rothkopf-Time Out New York

Even though this movie's running time of two and a half hours is about one hour too long, there's still some pretty cool disaster stuff on the way.
A.O. Scott-At the Movies

2012 is so long, and its special effects are at once so outrageous and so thunderously predictable, that by the time I lurched from the theatre I felt that three years had actually passed and that the apocalypse was due any second.
Anthony Lane-New Yorker

Emmerich favours hoisting his camera high and dry to give audiences the best panoramic view, but it removes all tension from proceedings - you're always at a safe distance.
Ali Gray-TheShiznit.co.uk

Two and a half hours of heaving and cleaving and crashing and crunching.
Neil Pond-American Profile

Most of all, I liked the airlifting of giraffes to ark safety via helicopter and the bizarrely unreasonable cheeriness of the beleaguered survivors who all but shout "hip-hip-hooray" after billions of other Earth citizens lose their lives.
Dave White-Movies.com

Over the top scenes of destruction aside 2012 is generally unimaginative in every way, from conception to execution. It's not particularly bad, but never has the end of the world seemed so quaint.
Joshua Starnes-ComingSoon.net

At points, 2012 was tedious enough to make us feel like we were in the theater until 2012
Kamal 'The Diva' Larsuel-3BlackChicks Review

A headache inducing mess of apocalyptic proportions, 2012 is a woeful greatest hits package of disaster film clichés, mixed with shallow social commentary.
Matthew Pejkovic-Matt's Movie Reviews

In line with the U.S.-centric heartbeat of 2012, most other nationalities, particularly the Russians, are viewed as imbeciles and/or mere extensions of crude stereotypes - clever Indians, honourable Chinese, stylish Italians, and so on.
Simon Foster-sbs.com.au

You don't have to say more than "it's a Roland Emmerich film" to get the full brunt of the quality of the production. Great visuals, but weak dialogue and scenarios.
Wesley Lovell-Cinema Sight

It's cinematic waterboarding and there was more than one occasion during the film when I was convinced it was never going to end.
Brian Orndorf-BrianOrndorf.com

I can't claim to have seen every terrible film in cinematic history, but in my fairly extensive watchography, 2012 is certainly in the top 5 worst ever.
Sam Bathe-Fan The Fire

Action-packed entertainment builds around efforts, not to prevent the destruction of the planet, but to plan for the continuation of the human race.
Annlee Ellingson-Moving Pictures Magazine

It's the end of the world as we know it%u2026 again! But hand it to Roland Emmerich, an old hand at cinematic Armageddon, for making the apocalypse such an entertaining ride.
Sean Axmaker-Seanax.com

The strongest thing about this movie is the "this I have to see" factor. If only the story had the same kind of groove going as the effects.
Jules Brenner-Cinema Signals

Berlin Alexanderplatz feels like a Saturday afternoon matinee compared to this.
Rob Humanick-Projection Booth

Even though the extras [on the DVD] are chock-a-block, they are still for a bad movie.
Robin Clifford-Reeling Reviews

The end of the world movie to end 'em all, it turns out to be a sort of cross between the sci-fi camptacular When Worlds Collide and every previous Emmerich movie. Guilty pleasures galore.
Richard Knight-Windy City Times

Plausible plot points, great special effects and characters we care about. That's really about all you need to enjoy this Apocalypse Wow!
Bruce Bennett-Spectrum (St. George, Utah)

Emmerich would be better off losing the pretense of respectability and embracing the B-movie showmanship that is clearly his strength.
Mark Pfeiffer-Reel Times: Reflections on Cinema