The third collaboration of Academy Award nominee Keira Knightley with acclaimed director Joe Wright, following the award-winning box office successes Pride & Prejudice and Atonement, is a bold, theatrical new vision of the epic story of love, adapted from Leo Tolstoy's timeless novel by Academy Award winner Tom Stoppard. The story powerfully explores the capacity for love that surges through the human heart. As Anna (Ms. Knightley) questions her happiness and marriage, change comes to all around her. -- (C) Focus
Release Date Anna Karenina Nov 16, 2012 Limited
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Actors For Anna Karenina

Keira Knightley,Jude Law,Aaron Johnson,Matthew MacFadyen,Domhnall Gleeson,Alicia Vikander,Kelly Macdonald,Ruth Wilson,Olivia Williams,Emily Watson,Eric MacLennan,Theo Morrissey,Cecily Morrissey,Freya Galpin,Octavia Morrissey,Beatrice Morrissey,Marine Battier,Guro Nagelhus Schia,Aruhan Galieva,Carl Grose

Genres Anna Karenina : Drama,Romance

Visitor Ranting & Critics For Anna Karenina

User Ranting Anna Karenina : 3.3
User Percentage For Anna Karenina : %
User Count Like for Anna Karenina : 43,309
All Critics Ranting For Anna Karenina : 6.5
All Critics Count For Anna Karenina : 173
All Critics Percentage For Anna Karenina : 64 %

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Movie Overview For Anna Karenina
Trapped in a loveless marriage, aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.

TagLine Anna Karenina

An epic story of love.
Trailer For Anna Karenina

Review For Anna Karenina

It's a half-success -- a baldly conceptual response to the Leo Tolstoy novel, with a heavy theatrical framework placed around the narrative of girl meets boy, followed by girl meets train.
Michael Phillips-Chicago Tribune

In this adaptation, director Joe Wright, plus screenwriter Tom Stoppard, are determined to tame the untameable. And they do.
Rick Groen-Globe and Mail

"Anna Karenina," lush as it is, fails to strike a fully human chord.
Tom Long-Detroit News

The very picture of noble failure, it's a bright red heart without a beat.
Peter Howell-Toronto Star

The metaphorical force of this conceit-insisting on the artifice of the social world that frowns on rapture-is not hard to grasp, but its frailty unsettles some of the actors.
Anthony Lane-New Yorker

Thank goodness for Domhnall Gleeson's gentle turn as Oblonsky's friend Levin. The ginger-haired landowner is the movie's warmest figure.
Lisa Kennedy-Denver Post

Tolstoy's novel rendered in exquisite Faberge egg form.
Catherine Bray-Film4

While there are suitably glorious elements, there's also a frankly bizarre and much-debated aspect added by playwright Tom Stoppard, so that the whole thing is full of 'Brechtian Alienation Devices' and narrative-splintering tricks.
David 'Mad Dog' Bradley-Rip It Up

It's easy to conclude that this Anna Karenina is a superficial portrait of a superficial society, but that would be to dismiss how emotionally powerful it is in key moments.
Rima Sabina Aouf-Concrete Playground

There have been countless film and tv versions of Russian author Leo Tolstoy's classic high society love story. But none have been captured so beautifully and boldly as this Anna Karenina.
Brian Henry Martin-UTV

a visually unique story world, bold and beautiful, and dramatically fused with passion. Yet it's also a limited space that remains prisoner to its self-conscious theatrical structures.
Simon Weaving-Screenwize

The meandering Russian tale of forbidden aristocratic love - Knightley's character spurns her stiff, high-ranking husband, played by Jude Law for military man Aaron Taylor-Johnson - fails to ignite.
Phil Villarreal-OK! Magazine

A sumptuous cinematic feast!
Kam Williams-NewsBlaze

Leo Tolstoy's classic tale of doomed romance and the emotionally stifling lives of Russian aristocrats gets an ornate, inert reworking...the congested setting makes much of the film look like a blur of costumes and set dressing.
Jim Schembri-3AW

Between the screenplay by playwright Tom Stoppard and the direction of Joe Wright, Anna Karenina is a stylistically fascinating film.
Tim Martain-The Mercury

Trying to one-up Tolstoy was always going to be a bad idea, though I wouldn't object to seeing a Bond movie, or Les Miserables, staged in the same way.
Jake Wilson-The Age (Australia)

Joe Wright uses the theatre and has the actors taking part in a stage production which then moves out into the real world. I think that's done beautifully.
David Stratton-At the Movies (Australia)

Well, Joe Wright has done it. His ANNA KARENINA is a triumph.
Margaret Pomeranz-At the Movies (Australia)

Wright's staged version tries desperately to gain one's attention (which it does) and engage one's affection (which it doesn't).
Ed Gibbs-The Sun Herald

Wright's edgy, bravura approach actually enhances the moral themes and the social context, illuminating the story in a fresh, contemporary light. This is cinema
Andrew L. Urban-Urban Cinefile

Wright's vision in re-imagining this classic tale is conceptually brilliant, with a perpetual sense of motion... a visual and emotional statement
Louise Keller-Urban Cinefile

Like its central character, this is beautiful and brave even if it fails to fully realise its potential.
Amber Wilkinson-Eye for Film

Anna Karenina plays like the ultimate CliffsNotes, which is both testament to Stoppard's exceptional adaptation and abridgement of Tolstoy's novel and acknowledgment of the film's somewhat superficial center.
Mark Pfeiffer-Reel Times: Reflections on Cinema

Knightley has a rare gift for making viewers willing to follow her characters even as they make catastrophically stupid decisions.
Dan Lybarger-KC Active

Passion overwhelmed by heavily stylised theatrics.
Don Groves-sbs.com.au

The end result remains quixotically affecting, and more than the sum of its many delirious parts.
Rob Humanick-Projection Booth