Visionary filmmakers Tim Burton and Timur Bekmambetov reinvent the time-honored genre and present the terrifying creatures of the night as they were meant to be experienced -- as fierce, visceral, intense and bloodthristy. Abraham Lincoln: Vampire Hunter brings to the screen the secret life of our nation's favorite president...as history's greatest hunter of the undead. -- (C) Official Site RRelease Date Abraham Lincoln: Vampire Hunter Jun 22, 2012 Wide
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Actors For Abraham Lincoln: Vampire Hunter
Dominic Cooper,Anthony Mackie,Mary Elizabeth Winst...,Rufus Sewell,Marton Csokas,Jimmi Simpson,Joseph Mawle,Robin McLeavy,Erin Wasson,John Rothman,Cameron M. Brown,Frank Brennan,Lux Haney-Jardine,Curtis Harris,Bill Martin Williams,Alex Lombard,Raevin Stinson,Jacqueline Fleming,John Neisler,Aaron ToneyGenres Abraham Lincoln: Vampire Hunter : Action & Adventure,Horror,Mystery & Suspense,Science Fiction & Fantasy
Visitor Ranting & Critics For Abraham Lincoln: Vampire Hunter
User Ranting Abraham Lincoln: Vampire Hunter : 3.3User Percentage For Abraham Lincoln: Vampire Hunter : %
User Count Like for Abraham Lincoln: Vampire Hunter : 233,024
All Critics Ranting For Abraham Lincoln: Vampire Hunter : 4.9
All Critics Count For Abraham Lincoln: Vampire Hunter : 181
All Critics Percentage For Abraham Lincoln: Vampire Hunter : 35 %
If You Like this movie you can streaming Abraham Lincoln: Vampire Hunter movie without downloading HERE
Movie Overview For Abraham Lincoln: Vampire Hunter
President Lincoln's mother is killed by a supernatural creature, which fuels his passion to crush vampires and their slave-owning helpers.TagLine Abraham Lincoln: Vampire Hunter
Are you a patriot or a vampire?Trailer For Abraham Lincoln: Vampire Hunter
Review For Abraham Lincoln: Vampire Hunter
The violence quickly becomes numbing, and Benjamin Walker plays Lincoln without the sense of irony needed to keep the historical and supernatural sides of the story consistently entertaining.Bruce Diones-New Yorker
The movie plays safe by cutting every theme down the middle - a swing that's effective when splitting wood or vampire skulls, but dull when applied to filmmaking.
Lisa Schwarzbaum-Entertainment Weekly
Of course it's ridiculous and tasteless and grotesque. It's ABRAHAM LINCOLN, VAMPIRE HUNTER.
Richard Roeper-Richard Roeper.com
The disconnect between intention and final product is a head scratcher.
Ricardo Baca-Denver Post
Bekmambetov doesn't expect us to take the premise seriously, exactly. But he doesn't seem to want us to laugh at it, either.
Eric D. Snider-Film.com
Bekmambetov ... stages hilarious, imaginative, almost free-form action sequences like nobody in the business.
Andrew O'Hehir-Salon.com
Somehow, you can't help but feel vampires deserve better.
David Keyes-Cinemaphile.org
Rather than create an innovative style to complement the horror-history hybrid, he employs superhero clichés and hackneyed action scenes that only help distract from the ineffectiveness of the film's scant 3-D effects.
Matt Kelemen-Las Vegas CityLife
If you thought the American Civil War was about ending slavery, you're in for a rude surprise.
Tom Glasson-Concrete Playground
Succeeds in being an entertaining, exciting, and chilling genre hybrid
Felix Vasquez Jr.-Cinema Crazed
As a tongue-in-cheek action mashup, Grahame-Smith and Bekmambetov have, for the most part, delivered an entertaining (albeit campy) historical retelling.
Ben Kendrick-ScreenRant
A rancid hot pot of over-caffeinated action, choppy editing, self-importance and retarded scripting, Lincoln is the worst blockbuster in recent memory...
Adam Ross-The Aristocrat
Frankly, if it gets kids talking about history again, Abraham Lincoln: Vampire Hunter succeeds where a lot of other films stumble-and even if it's kind of a lame duck, there's still a lot of dignity in that.
Patrick Kolan-Shotgun Critic
What you get with "Abraham Lincoln: Vampire Hunter" is an interesting concept that has a number of structural problems.
Jeff Beck-Examiner.com
Abraham Lincoln: Vampire Hunter doesn't even come close to living up to the fun, silly nature of its premise. The film is a dull, humorless, ugly-looking slog.
Jonathan Lack-We Got This Covered
With the most preposterous of plots, one would expect "Lincoln" to be funny, but it's not. It takes itself as seriously as a disease, and therein lies the biggest problem with this film.
Justin Craig-FoxNews.com
completely ludicrous but fun.
James Luxford-The National
While the film eventually feels a little exhausting, particularly in the protracted but impressive finale, it works as well as this material possibly could.
William Bibbiani-CraveOnline
If The Matrix turned the humble spoon into an enduring visual motif for the cinematic dinner table, Vampire Hunter attempts to do the same with a fork.
Luke Buckmaster-Crikey
Bekmambetov knows his way around supernatural movies very well but he just doesn't seem to have the sense of humour needed for this one.
Tim Martain-The Mercury
The most important thing about enjoyably trashy, title-says-it-all action films such as Abraham Lincoln: Vampire Hunter is to keep everything moving so fast and on such a huge scale that nobody will care too much about how monumentally silly it all is.
Jim Schembri-3AW
Uses cues from the life of the former US President and builds an unwieldy supernatural story on top of it.
Cameron Williams-The Popcorn Junkie
AL:VH is easy to dismiss and equally as easy to forget, but it does what it does well.
Matt Neal-The Standard
Sounds like it was pitched at the tail-end of a particularly cynical, three-day, coke-fuelled marketing strategy session in between Transformers with Boobs and The Voice: The Movie...
Simon Miraudo-Quickflix
What makes Abraham Lincoln: Vampire Hunter so enjoyable is the extent it abandons so many established rules not just in terms of history and genre, but also physics.
Thomas Caldwell-Cinema Autopsy
There is just not enough substance to it. Lots of graphic, slo-mo blood spills, big battle scenes and gunfire, axe-wielding Abe chopping down the vampires, albeit often in a blur of action we can't really relish
Andrew L. Urban-Urban Cinefile
Movie Images Abraham Lincoln: Vampire Hunter
Set in the fictional town of Dolphin Heads, MENTAL is written and directed by PJ Hogan and produced by Jerry Zucker, Janet Zucker, Todd Fellman and Jocelyn Moorhouse. The comedy stars Toni Collette (United States of Tara, Little Miss Sunshine, About A Boy, The Sixth Sense), Liev Schreiber (Salt, X-Men Origins: Wolverine), Anthony LaPaglia (Without A Trace, Balibo), Rebecca Gibney (Packed to the Rafters), Kerry Fox (Cloudstreet, Bright Star), Caroline Goodall (Dorian Gray) Deborah Mailman (Offspring, Bran Nue Dae), and Sam Clark (Neighbours). (c) Dada Films
George Lucas draws the Star Wars film series to a close with this dark sci-fi adventure which sets the stage for the events of the first film and brings the saga full circle. After a fierce battle in which Obi-Wan (Ewan McGregor) and Anakin (Hayden Christensen) join Republic forces to help free Chancellor Palpatine (Ian McDiarmid) from the evil Count Dooku (Christopher Lee) and his minions, Anakin is drawn into Palpatine's confidence. Palpatine has designs on expanding his rule, and with this in mind he plants seeds of doubt in Anakin's mind about the strength and wisdom of the Jedis. Anakin is already in a quandary about how to reveal to others the news of his secret marriage to Padmé Amidala (Natalie Portman) now that she is pregnant, and visions which foretell her death in childbirth weigh heavy on his mind. As Anakin finds himself used by both the Jedis and the Republic for their own purposes -- particularly after Mace Windu (Samuel L. Jackson) expresses his distrust of the young Jedi -- he turns more and more to the Force for help, but begins to succumb to the temptations of its dark side. Many of the Star Wars series regulars returned for Star Wars: Episode III -- Revenge of the Sith, including Frank Oz as the voice of Yoda, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, and Peter Mayhew as Chewbacca. ~ Mark Deming, Rovi
Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema that defined such early fare as Cronos and The Devil's Backbone with this haunting fantasy-drama set in the aftermath of the Spanish Civil War and detailing the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom. Her mother, Carmen (Ariadna Gil), recently remarried to sadistic army captain Vidal (Sergi Lpez) and soon to bear the cruel military man's child, shy young Ofelia (Ivana Baquero) is forced to entertain herself as her recently-formed family settles into their new home nestled deep in the Spanish countryside. As Ofelia's bed-ridden mother lies immobilized in anticipation of her forthcoming child and her high-ranking stepfather remains determined to fulfill the orders of General Francisco Franco to crush a nearby guerilla uprising, the young girl soon ventures into an elaborate stone labyrinth presided over by the mythical faun Pan (Doug Jones). Convinced by Pan that she is the lost princess of legend and that in order to return to her underground home she must complete a trio of life-threatening tasks, Ofelia sets out to reclaim her kingdom and return to her grieving father as Vidal's housekeeper Mercedes (Maribel Verd) and doctor (Alex Angulo) plot secretly on the surface to keep the revolution alive. ~ Jason Buchanan, Rovi
The cult television series Mystery Science Theatre 3000 transfers its brand of science-fiction wisecracking to the big screen with relatively few changes. The concept is the same in series and film: an innocent man (Michael J. Nelson, playing Mike Nelson) is stranded in outer space by a mad scientist, who subjects the poor slob to "experiments" that involve watching the worst movies ever made. In order to survive this cinematic torture, Mike and his two companions, sarcastic robots Tom Servo and Crow T. Robot, mercilessly heckle the film in self-defense. In this case, the target is This Island Earth, a 1950s sci-fi opus that, despite its silly makeup effects and stilted dialogue, actually stands slightly above the usual Mystery Science Theatre fare. Otherwise, despite the larger budget, the film plays as a shorter version of the television show, with the robots and sets purposefully maintaining their ingenious, homemade look. Despite its loyalty to the original concept, many long-time fans found the film less sharp than the series, and the cinematic version failed to attract many viewers beyond the original audience. Nevertheless, it serves as a good introduction for the uninitiated, demonstrating the show's combination of pop culture deconstruction and intelligent, playful humor. ~ Judd Blaise, Rovi
